About Trama&Warp

Weft and warp.Anatolia, at loom speed.

Trama is the weft — the thread that travels. Warp is the thread that waits, held under tension, giving the cloth its spine. Everything we make sits at that crossing: a craft tradition that has run in Anatolia for four thousand years, cut into one honest modern garment.

Each collection is one garment: one sweatshirt, one price. This is the twelfth. We make 90 a month, each with its own registered number, and when a month's run is spoken for, the next warp goes on the loom.

Eleven collections exist before this one, and every piece of every one of them carries its own series number — a C block and a W block, registered in our database. Owners can verify any number, and they are offered Collection 012 before anyone else.


Ten things that make it premium

  1. One field, one valley, one grade

    The cotton comes from a single rain-fed cooperative in the Söke valley near the Aegean, graded by hand for staple length above 32 millimetres. We buy the top grade of a small harvest rather than an average of a large one, which is why the run has a size at all.

  2. Ring-spun slowly, twisted softly

    The yarn is ring-spun rather than open-end, at a lower twist than industry standard. It is a slower, more wasteful way to spin, and it is the difference between fleece that feels like cloth and fleece that feels like foam.

  3. 480 gsm loopback, run at low tension

    Loopback means the inside of the cloth is a field of open loops, not brushed pile — it breathes, it does not shed, and it keeps its hand for a decade. Knitted on shuttle frames from the 1970s that produce about eighteen metres an hour.

  4. Dyed with madder root and walnut

    Natural dyes in copper vats, mordanted with alum, fixed over three days. Nothing about it is fast: two shades of the same batch are never identical, and the cloth ages by lightening rather than by going grey.

  5. A kilim band inside the collar

    Neck taping woven on a hand loom in Gaziantep, in a geometric motif taken from a nineteenth-century saddlebag in a family collection. The weaver is credited by name on the garment card. It faces inward — authenticity is not a print on the chest.

  6. Hand-linked rib, chainstitched seams

    Cuffs, hem and collar are hand-linked rather than overlocked, so they stretch and recover with the body. Side seams are chainstitched on a Union Special from 1954: a seam that ropes slightly with age, the way it is supposed to.

  7. Three a day, and no way to make more

    One cutter, one linker, one finisher: the atelier completes three garments a day, and that is its whole capacity. We have never added a shift, because the person who chainstitches the seams is the only person we trust to chainstitch the seams.

  8. Garment-washed once, then rested

    Each piece is washed in soft Anatolian water and rested flat for seventy-two hours before finishing. It arrives already settled — the shape you receive is the shape you keep.

  9. A series number, registered for life

    Every piece of every collection carries an individual series number — a C block and a W block, e.g. C034W312 — woven into the tape inside the left seam and entered in our database before it leaves the atelier. Anyone can check it before buying, and owners use it to claim priority on the next collection.

  10. Repaired for as long as you wear it

    Twelve percent of the price is held as a repair reserve. Send it back for darning, re-linking or re-dyeing, for as long as the garment exists. A sweatshirt made this way should be the last one you buy.

The atelier

Nine people, one room, no subcontractors

Spinning, dyeing, knitting, cutting and finishing happen within forty kilometres of each other in Denizli and Gaziantep. Everyone who touches the garment is named on the card that ships with it, and paid above the regional textile wage by agreement, not by claim.

Fig. 02Weft & warp — point-twill draft
A weaving draft: threading, tie-up and treadling for an eight-shaft point twill, and the diamond pattern it weaves.
  • Threading · tie-up · treadling
  • Drawdown — warp over weft

Where the price goes

StageWhereShare of cost
Rain-fed long-staple cotton, hand-gradedSöke, Aydın18%
Ring spinning and natural dyeingDenizli14%
Slow loopback knitting, vintage framesDenizli21%
Hand-loomed kilim tapingGaziantep9%
Cut, link, chainstitch, finish — 14 hoursDenizli26%
Lifetime repair reserve, sleeve, shipping12%

No wholesale margin. No seasonal markdown. One run, one price.

86 of September's 90 are left.Then the month's run closes.

Tell us who you are and a person will write within two working days to confirm your size and arrange payment. Owners of an earlier piece go first — add the series number from inside your garment, CW…, and your request moves ahead of the open queue.

This website is not a shop. Nothing is sold or paid for here. The form is a request, not an order — we reply by e-mail, and the sale is agreed with you directly by the atelier.

Request received

Thank you.

We reply from hello@tramawarp.com — worth checking your spam folder if nothing arrives.

We use these details only to arrange your piece — never for advertising, never sold. Requests are open from 16; under 18, a parent or guardian completes the purchase. Questions first? hello@tramawarp.com

Lane 1 — Owners

A verified series number from any earlier piece. Answered first, in the order the numbers were issued.

Lane 2 — Open

Everyone else, in the order they wrote. 90 a month, three a day — the queue moves slowly and honestly.

One per person

A series number claims priority once a month. Numbers reported resold or stolen are held for review.